The strategy of my idea-creation and development process concerning these two exhibitions deals with different layers, and the first is:

THEORETICAL

In nutshell, the theoretical part I am working with today can be summarise as: ”Thinking in relation - and - Alternative thinking. The alternative thinking is always supposes criticism. It should be analytical, logical and reasoning, and comparative, taking to account the related components. To translate this notion to my works: Let’s see first the exhibition in ICCM. The name police station brings a feeling of fear. The small cells reflect very strong and intense physical and mental relationships to me and consequently they presume some preconceptions. The small cells brought into my memory the people who stayed and lived there. These were closed places, which are not intimate but rather tight, locked and depressing places. The small windows, the heavy metal grated doors incited bad feeling and stress. The church in Kiscelli has been a typical transcendental space. Both places influenced me but in a different manner. The prison represented depressed and the church metaphysical spaces. A question arose. I had to decide whether to increase or decrease this feeling and stress effect or act for or against it. I chose the last version in ICCM and I went for it in Kiscelli. I was to act against the stress and negative feeling and create an open, transparent, translucent and active and transcendent image. My philosophy was to offer an open, transparent world with a type of multi-viewpoint vision. The penetrable world reflects analogies with some tendencies of our present movements of the societies in Europe, free communication such as Internet, free, open borders where people can work, live and settle down without discrimination.